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fxphd - PNT203 - Matte Painting for VFX

Post by: shareislove

fxphd - PNT203 - Matte Painting for VFX
fxphd - PNT203 - Matte Painting for VFX
English | AVC1 1152x646 30 fps | AAC 64 Kbps 44.1 KHz | 2.18 GB
Genre: eLearning

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fxphd - RED210 - Comprehensive Guide to RED Shooting and Post

Post by: shareislove

fxphd - RED210 - Comprehensive Guide to RED Shooting and Post
fxphd - RED210 - Comprehensive Guide to RED Shooting and Post
English | AVC1 1152x646 30 fps | AAC 64 Kbps 44.1 KHz | 3.63 GB
Genre: eLearning

We reset our clock and give an up to date comprehensive guide to shooting and posting the red One, the new MXand the EPIC cameras . Everything you need to know to approach Red's innovate data centric tapeless workflow

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FXPHD – Fastforward – SpeedGrade CS6 Fundamentals

Post by: ryuzin

FXPHD – Fastforward – SpeedGrade CS6 Fundamentals

FXPHD – Fastforward – SpeedGrade CS6 Fundamentals
English| Audio: aac, 44100 Hz, mono (eng)
MP4| Video: h264, yuv420p, 1152x720, 25.00 fps(r) (eng)| 2.80GB
Genre: Video Training

SpeedGrade CS6 Fundamentals will quickly get you up to speed on how to more effectively use the new grading software from Adobe. Taught by Joost van der Hoeven, this all-new course contains over three and a half hours of training covering the fundamentals you need to know to get most out of this new release. It also contains almost 1GB of source material used in the classes so you can follow along with the instruction.

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fxphd - DAV101 - Working With Video: Introduction to Resolve on Mac OS X

fxphd - DAV101 - Working With Video: Introduction to Resolve on Mac OS X

fxphd - DAV101 - Working With Video: Introduction to Resolve on Mac OS X
English | AVC1 1152x646 30 fps | AAC 64 Kbps 44.1 KHz | 3.65 GB
Genre: Working With Video
Free Download - Single Extraction - No Password
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If you want a serious job in the post-production or gaming industries, in feature film or video – locally or overseas – or you want to produce your own work, the professors at fxphd will teach you the real world facts and techniques you need to know. Each course in fxphd is run by a practicing vfx or editing professional — what we call a Professor. Each has been hand picked for the expert knowledge in the field. The professors come from a background of working on a wide variety of projects.

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fxphd - BKD226 : Background Fundamentals Tutorials

fxphd - BKD226 : Background Fundamentals Tutorials

fxphd - BKD226 : Background Fundamentals Tutorials
5.46 GB | English | .MP4 | 960?540 | AAC 48 Kbps 44.1 KHz
Genre: Working with Video, E-Learning
Download ID: TUTS0015
Free Download - Single Extraction - No Password

The technology behind the America’s Cup live broadcast.- The Advances behind the newly released GoPro Hero 3- 35mm film workflow- on set protocol- Spherical Harmonics- LIDAR Scanners- Canon CN-E and Carl Zeiss Compact Primes- ILM Visual Effects Battleship supervisors.

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fxphd - DAV210 - Working With Video: Davinci Resolve

fxphd - DAV210 - Working With Video: Davinci Resolve

fxphd - DAV210 - Working With Video: Davinci Resolve
3.29 GB | English | .MOV | AVC1 1152?720 24 fps | AAC 48 Kbps 44.1 KHz
Genre: Working With Video
Free Download - Single Extraction - No Password
Homepage

This course is targeted towards an editor, effects artist, or motion graphics designer who wants to add creative grading to their set set of skills. This is an introductory course designed to give someone who has never used the app a solid based of knowledge upon which to build.

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fxphd - NUK217 - NUKE and Digital Environments

Post by: shareislove

fxphd - NUK217 - NUKE and Digital Environments
fxphd - NUK217 - NUKE and Digital Environments (Complete 10 class)
English | h264 1152x720 | AAC 64 Kbps | 1.6 GB
Genre: eLearning

In today's industry, the boundaries between matte painting, compositing and 3D are fading out. Taught by VES award-winning artist Eran Dinur, this course stems from the belief that compositors should not only be able to seamlessly incorporate CG elements into photographic environments, but also have a real understanding of matte painting techniques as well as the ability to create 3D elements, particles and simulations.

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FXPHD - RMS101 Introduction to Renderman Studio

Post by: lilom

FXPHD - RMS101 Introduction to Renderman Studio

FXPHD - RMS101 Introduction to Renderman Studio
English| 1.88Gb
Genre: Video Training


Pixar’s Renderman@ is a core rendering technology that has been powering production pipelines since 1985. Leading digital effects houses and computer graphics specialists use Pixar’s RenderMan@ because it is the highest quality renderer available anywhere and has been production tested through successful use in feature films for over ten years. RenderMan’s powerful features such as programmable shading language and anti-aliased motion blur allow designers to believably integrate stunning synthetic effects with live-action footage. RenderMan is used for Pixar’s own feature film productions.

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Fxphd - DOP211: DSLR Cinematography: Nature (Repost)

Post by: oneagain Tutorials

Fxphd - DOP211: DSLR Cinematography: Nature (Repost)
fxphd - DOP211: DSLR Cinematography: Nature
English | AVC1 960x540 23.976 fps | AAC 64 Kbps 44.1 KHz | 4.04 GB
Genre: eLearning / Cinematography

DSLR video is a growing if not exploding area of cinematography. In our second DSLR course we contrast the urban intensity of our Japan course with the majestic intensity of the landscape of Yellowstone national park. Without a doubt the best person we could think of to teach this course is Captain Tyler Ginter of the 55th Combat Camera Company. Tyler is well known for his work in helping the Army's camera company move to DSLRs and has worked in some of the most rugged and unforgiving environments on Earth. No one is better suited to discuss what you should take into the field to shoot away from the protected environment of the studio than Tyler.

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Fxphd - DOP212: Scripted DSLR

Post by: oneagain Tutorials

Fxphd - DOP212: Scripted DSLR
fxphd - DOP212: Scripted DSLR
English | AVC1 960x540 23.976 fps | AAC 64 Kbps 44.1 KHz | 2.80 GB
Genre: eLearning / Cinematography

We have done some great courses in recent times on using the new range of DSLR cameras in a variety of situations, but this term we want to focus on scripted based narrative drama and comedy. We have teamed up with legendary UK Writer and Director Doug Naylor (Red Dwarf co-creator) to produce an episodic comedy called "Over to Bill". Mike Seymour will be working closely with Director of Photography Ed Moore, to bring practical on-set tips to light. The entirely new and original story is filmed in and around London in the present day and captures the best of scripted DSLR approaches.

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